Jacob Hashimoto

Using sculpture, painting, and installation, Jacob Hashimoto creates complex worlds from a range of modular components: bamboo-and-paper kites, model boats, even astroturf-covered blocks. His accretive, layered compositions reference video games, virtual environments, and cosmology, while also remaining deeply rooted in art-historical traditions notably, landscape-based abstraction, modernism, and handcraft.

Jacob Hashimoto was born in Greeley, Colorado in 1973 and is a graduate of The School of the Art Institute of Chicago. He lives and works in Ossining, New York. Hashimoto has been featured in museum exhibitions at MOCA Pacific Design Center in Los Angeles, MACRO - Museum of Contemporary Art in Rome, Fondazione Querini Stampalia in Venice, LACMA - Los Angeles County Museum of Art in California, Schauwerk Sindlefingen in Germany, Wäinö Aaltonen Museum of Art in Finland, Galleria d’Arte Moderna “Achille Forti” in Italy, Museo di Storia Naturale in Italy, Site Santa Fe in New Mexico, Science Museum of Oklahoma and the Crow Museum of Asian Art in Texas. He has also had solo shows at Mary Boone Gallery in New York, Rhona Hoffman Gallery in Chicago, Studio la Città in Verona, Galerie Forsblom in Helsinki, Anglim Gilbert Gallery in San Francisco, and Makasiini Contemporary in Turku, among others. His work is in the collections of LACMA - Los Angeles County Museum of Art, EMMA - Saastamoinen Foundation, Schauwerk Sindelfingen, The California Endowment, The Microsoft Art Collection, Avon Hospital Art Collection, Capitol One Collection, McDonald’s Corporation Collection, Fondation Carmignac, San Francisco’s Civic Art Collection and numerous other public collections. 


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The Vibration of Memory’s Silent Crowds, 2019
There were Probably Easier Ways, If We Had Known Better, 2019 
The Gorgon, 2019
All of Our Tumbled Memories Momentarily Forgotten in the Numinous Celestial Garden, 2019
Everything Past, Present, and Imaginary Could Happen at Once, 2019
But All Histories, Like They Say, Are Relative, 2019
The Testimony, 2019
The Eclipse, 2017, Palazzo Flangini during 2017 Venice Biennale, Venice, IT
Gas Giant, 2014, MOCA Pacific Design Center, Los Angeles, CA
Infinite Expanse of the Sky/ Superabundant Atmosphere, 2008 - 2009, Verona, IT
Sky Columns, 2013, Schauwerk Sindelfingen, Germany
Armada, 2011, Verona, IT
Superabundant Atmosphere, 2013, Bildmuseet-Umeå University, Umeå, Sweden
Nuvole, 2006 - 2018, Crow Museum of Asian Art, Dallas, TX
The Other Sun, 2012, London, UK
When Nothing Ends, Nothing Remains, 2016, Penrose Library, Whitman College, WA
Never Comes Tomorrow, 2015 - 2017, Wäinö Aaltonen Museum of Art, Turku, FI

The Sublime Nature of Being’ is an immersive, multi-sensory group exhibition of innovative works by contemporary artists that explore the universal human experience of awe and reverence inspired by nature, and its ability to conjure an emotional understanding that transcends rational thought, words and language.

Curated and produced by Ambika Hinduja Macker, artist, founder and creative director of art and design firm Impeccable Imagination, in collaboration with ICD Brookfield Place, 'The Sublime Nature of Being' invites the viewer to participate emotionally, imaginatively and sensorially while exploring our relationship to the surrounding environment. From the ethereal and divine to the ephemeral and personal, the exhibition is an Alchemic Sonic Environment that features a variety of sculptures, modular components and spacial sound to stir hope and deep reflection.

What is the sensation we experience while interacting with nature when words fail or we find ourselves awed beyond reason? How does an artist convey the indescribable and translate the metaphysical to material? ‘The Sublime Nature of Being’ explores the humbling, purity of the natural cosmos and our relationship to it by creating imagined, transportive worlds, conjured through the magic of creativity.

For centuries, scholars have debated the term ‘Sublime’ in relation to works of art, and artists have sought to evoke or respond to it. But what is ‘The Sublime’? The sublime is a philosophical approach and state of mind often defined as having the quality of such greatness, whether spiritual, physical, aesthetic or moral, that our ability to perceive or comprehend it is temporarily overwhelmed by a sense of the wonder and impermanence of the universe.

The Sublime Nature of Being’ explores aspects of this philosophy and the modern interpretation of the Japanese term ‘Ukiyo’ meaning ‘living in the moment, detached from the bothers of life,’ and examines the belief that contemplation of these themes leads to the subsequent feelings of admiration and responsibility. This allows for the intertwining of aesthetics and ethics, two key elements that are relevant to society today, especially in light of change and apprehension as we consider the future of humanity.

Creating an immersive and multisensory experience that includes three-dimensional installations, sound and scent, a play on time and space, contrasts of light and shadow, elemental materials and fluid forms, ‘The Sublime Nature of Being’ invites the audience on a unique journey with a contemplative dimension – a search for a higher truth. By stepping into the space, one is transported into a utopian sanctuary of tranquility and beauty, providing a temporary reprieve and poetic antidote to the external chaos of the present day.